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183.7787 "Francesco de Simone Ferrucci's Sculpture "Madonna and Child".
This essay discusses Francesco de Simone Ferrucci's sculpture "Madonna and Child." It examines how the sculpture is a representation of the loving and empathetic virgin who merges physically with her child, Jesus Christ. The sculpture symbolizes the physical nature of the relationship between the Madonna and child and, in many respects, is connected to the emotional bonds between them. 6 pgs. Bibliography lists 5 sources.
Pages: 6
Bibliography: 5 source(s) listed
Filename: 7787 Madonna Child Sculpture.doc
Price: US$53.70
184.5642 Comparison/Contrast of a Seated Meditating Buddha with Rodin's "The Thinker".
This fifteen-page undergraduate paper consists of a comparison and contrast of a Gupta period image of a seated Buddha in meditation with Rodin's "The Thinker". The philosophic and social contexts of each work are discussed. 15 pgs. Bibliography lists 18 sources.
Pages: 15
Bibliography: 18 source(s) listed
Filename: 5642 Meditating Buddha Rodin.doc
Price: US$134.25
185.4437 Japanese Lacquer Art: Its History, Themes and Aesthetics.
This paper will discuss the history and aesthetics of lacquerware in Japan. It will be seen that although the origins of this art form - like much of Japanese culture - lies in importation from China, Japanese artisans have over the course of centuries imposed their own unique styles and sense of aesthetics upon their lacquerware production. 6 pgs. Bibliography lists 4 sources.
Pages: 6
Bibliography: 4 source(s) listed
Filename: 4437 Japanese Lacquer Art.doc
Price: US$53.70
186.4995 The Evolution / Development of the Human Figure on Greek Ceramics.
this paper will explore the development of the representation of the human figure on classical Greek ceramics. Given the sheer range and scope of the production in question, discussion will be focused on the tradition of the representation of human figures upon Athenian ceramics in particular. As will be seen, this limitation is not entirely arbitrary. While Greek pottery was dominated by Corinthian production for much of its early history, as Athens grew in commercial and political importance it began to dominate the market for ceramics in the Greek world. From about the sixth century BC onwards, it will be argued, the representation of the human figure upon Athenian pottery grew increasingly sophisticated in both technique and theme. As will be seen, gradually the rigid poses and mythological themes yielded to figures and scenes more reflective of the everyday life of the population. This increasing sophistication, to some extent, reflects the prosperity of the Athenian industry and its capacity to bring in artists from outside Athens whose talents were to transform Greek ceramics. 11 pgs. bibligraphy lists 4 sources.
Pages: 11
Bibliography: 4 source(s) listed
Filename: 4995 Evolution Greek Ceramics.doc
Price: US$98.45
187.American Art
This is a 6-page paper that focuses on how the Beaux art styles influenced and facilitated the Romanesque revival.
Pages: 6
Bibliography: 6 source(s) listed
Filename: 13254 American Art Styles.doc
Price: US$53.70
188.An Analysis of Desensitization of Audience in Film.
This paper will discuss how comedy and horror movies desensitize their audiences, and why this occurs. By using certain information that might reflect this, we can understand how these forms of entertainment work in this fashion. By analyzing a certain variety of movies, the process that is created in comedy and horror movies can show how people become less sensitive to violence and comedy situations that would not, in reality, be considered very funny.
Pages: 3
Bibliography: 3 source(s) listed
Filename: 13360 Audience in Film.doc
Price: US$26.85
189.Much and van Gogh: Personal and Religious views of Death in the Sick Room and the Sower.
To the unaware and the obtuse, Edvard Munch and Vincent van Gogh simply made paintings. Much like a hot political speech or a fiery church sermon, there is evidence of passion for much more than what is simply on the surface of each artist's works. What becomes clear, in looking deeply into not only the works themselves, but the mindset of each painter and the and the issues of import during the time in which they worked, is that van Gogh, Munch, and artists like them could not contain their fears about the world and about their mortality in check and used their painting as a self-therapy. What we see are not images that were intended for universal appeal, they are deeply personal works that demonstrate elements at the core of each man. Van Gogh's The Sower, for instance, is a metaphor of not only the questioning of Christ in the Gospel of Mark (through the story of the Sower), but of the internal metaphor of sowing one's own life. Munch's, Death in the Sick Room, also demonstrates a religious parable and a personal one, that of his family surrounding his dying sister, Sofie, and of the crucifixion of Christ and the mourners of different shades who surrounded him. It is the purpose of this paper to examine the elements of personal and theological perspective employed in these two works and to explore their greater application and generalization to the viewer.
